Video der Woche: Florence + the Machine – One Of The Greats [kw42/2025]

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https://www.youtube.com/watch?v=t7XL4ehHoE0

Lyrics:

I crawled up from under the earth
Broken nails and coughing dirt
Spitting out my songs so
You could sing along, oh

And with each bedraggled breath, I knew I came back from the dead
To show you how it′s done
To show you what it takes
To conquer and to crucify, to become
One of the greats
One of the greats

I kept a scream inside my chest, killed everyone I’d ever kissed
Hung them on the wall like trophies, each name, a stain upon my lips
I told the truth but could never see it through
You see yourself hung on the wall, but that song is not about you

I wrote down all my fumbling visions transmitted by a television
Got everything I thought I wanted and cried hungover in a hotel closet
Did I get it right? Do I win the prize?
Do you regret bringing me back to life?

Arms outstretched, back from the dead
Streetlights bursting overhead
Arms outstretched, back from the dead
Streetlights bursting overhead

I did my best, tried to impress, my childhood dream made flesh
In my dresses, in my flowering sadness, so like a woman to profit from her madness
I was only beautiful under the lights, only powerful there
Will burn down at 36, why did you dig me up for this?

Arms outstretched, back from the dead
Streetlights bursting overhead
Arms outstretched, back from the dead
Streetlights bursting overhead

You′ll bury me again, you’ll say it’s all pretend
That I could never be great being held up against such
Male tastes because who really gets to be
One of the greats, one of the greats?

But I′ve really done it this time, this one is all mine
I′ll be up there with the man and the ten other women
And a hundred greatest records of all time
It must be nice to be a man
And make boring music just because you can
Now don’t get me wrong, I′m a fan
You’re my second favourite front-man

And you could have me if you weren′t so afraid of me
It’s funny how men don′t find power very sexy
So this one’s for the ladies
Do I drive you crazy?

Did I get it right?
Did I get it right? Do I win the prize?
Do you regret bringing me back to life?
Did I get it right? Do I win the prize?
Do you regret bringing me back to life?

Arms outstretched, back from the dead
Streetlights bursting overhead
Arms outstretched, back from the dead
Streetlights bursting
Too feminine to function
A pile of bodies and a trail of destruction

I will let the light in, I will let some love in
I will be happy, it will be perfect
I will let the light in, I will let some love in
I will be happy, it will be perfect
I will let the light in

Arms outstretched, back from the dead
Streetlights bursting overhead
Arms outstretched, back from the dead
Streetlights bursting overhead
Arms outstretched, back from the dead
Streetlights bursting overhead

Arms outstretched
Arms outstretched
Streetlights bursting
Overhead
Overhead
Streetlights bursting
Overhead

Info:
Florence Welsh teilt aus an ihre männlichen Mitstreiter und die von diesen beherrschte Musikbranche. Deren Privilieg, langweilige Musik schreiben zu dürfen und Angst zu haben vor Frauen, die ähnlich oder gar erfolgreicher sind. Zu diesen gehört Florence + The Machine ohne Zweifel – schön, dass sie zurück sind. Der Song ist ein zweiter Vorgeschmack auf ihr an Halloween erscheinendes, neues Album „Everybody Scream“.

Credits:
Directed by Autumn de Wilde Presented by Anonymous Content Produced by Juliet Naylor Managing Director . Executive Producer Eric Stern Director of Photography Benjamin Todd Costume Design by Shirley Kurata

Links:
Florence + The Machine

Unsere Spotify Playlist zum Video der Woche:

Thea Drexhage
Thea Drexhagehttps://www.be-subjective.de
Thea Drexhage hat Salma Hayek einiges voraus! 10 mm. Wie die meisten Frauen der Redaktion, Duffy, Beth Ditto, Joan Rivers oder Angus Young kann sie die MusikerInnen aus dem Bühnengraben also völlig problemlos sehen, wenn jemand ihren Hocker trägt, wird aber - das hat sie mit Salma dann doch wieder gemein - dennoch viel zu oft auf Ihre Körpergröße, ihre Mähne und ihre leicht misanthropischen Anflüge reduziert. Damit sie also nicht im nächstbesten Titty Twister von Sonnenunter- bis Sonnenaufgang Menschenmengen und Bläser mätzelt, halten wir “Aggro-Thea”, die zuvor ganze Landstriche in Mecklenburg Vorpommern ausgerottet hat, halbtags im spießbürgerlichen Oldenburger Exil an der langen Leine. Seither legt sich die scheißpünktliche existentialistische Besserwisserin analog mit Sartre, Camus & Kodak an und ja, auch wir müssen neidlos zugestehen, dass der Instagram-Account ihrer beiden Katzen “Salma” und “Hayek” mehr Follower pro Tag hat, als unser webzine im ganzen Jahr.

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